I had this attitude during my creation of the five leporelli in 2009, made from the correlation of the serigraphy technique with my painterly process.
Pushing, forcing the process. Proceeding inexorably, superimposing one colour on top of another, keeping each passage and making the story of its creation explicit through the so-called progressives, moving forward, not wanting to stop, even going against the rules of technique and taking to extreme consequences the painterly substance to eventually voluntarily determine a series of craquelure pieces.

(Written in 2021)