The works that at the moment of their ideation have the possibility of being repeated in their essence, possibly even with different parts.
The date refers to the moment it was created.
 
The example I have chosen to describe this precise condition is the series of ‘One at a Time’, that particular way of exhibiting the ‘Sedimentations’ which has become a precise work. I conceived the first version, which became a sort of matrix, in my studio in 2014 and then I replicated it various times over the years in different contexts with other paintings.

(Written in 2021)