I stand before

I try to understand what the relation is between the space and me; the frontal, two-dimensional space of the painting. The first fixed point is the head and I place myself frontally towards the space. Then I begin to move my wrist. I try to place myself by finding a position in the space.

Gestures
After a period in which the body itself is the tool of painting and in which the eye, one’s vision, does not take part in the creative process, I began to understand that looking becomes part of the pictorial process. Vision becomes the means for knowing and for understanding. Metaphorically I begin to pull the skin from my body and position it in front of me. A relationship, a dialogue, with the frontal pictorial space is born. The works that belong to this series are signs left by the movements of my hand, my arm and my wrist.

Paper
Opere pittoriche su carta realizzate con acquerelli, carboncino, grafite, diverse tipologie di pastelli e pittura a olio e acrilica